Ladies and gentlemen, Jackie Chan and Jet Li are finally in a movie together. I was never truly excited about Forbidden Kingdom, but I knew that at some point, I’d be watching it, and probably enjoying it for what I think it was meant to be – an homage to old school kung fu movies long since passed.
The opening credits of the movie pretty much justify that, with posters of Bruce Lee, Sammo Hung et al. filling in the frames. The main protagonist is essentially this kid who LOVES Kung Fu movies and buys them of this old Chinese dude who I believe was his only real friend. Then, after an encounter with a gang, finds himself essentially inside one these movies where he meets Jackie Chan and Jet Li, and with their help, must return a mystical staff to the Monkey King of legend.
And this is where I started to have some problems with the movie – at this point, I wasn’t sure what audience the film was targeting. Was it for Kung Fu die hards? Genre fans? Or was it yet another Hollywood attempt of taking another culture’s fables and presenting them within a North American context?
It almost felt like a mash up where Karate Kid meets Crouching Tiger meets Disney. Sounds a bit harsh, but this might explain why there were times the movie felt like it was all over the place. Not only that, but I was having a little difficulty understanding the film’s own movie logic. Do Chan and Li actually speak English so the kid could understand? Can they actually speak English historically at that time? If so, why the HELL did they speak to each other in Chinese during their epic battle half way through the movie?
Where the movie delivers is the chemistry between Chan and Li. One of the fundamental flaws of most current movies is the fact that they seem to forget where all their material comes from and present them to the audience as if they were fresh. One can not argue the presence these two genre veterans bring to the movie, seemingly carrying the legitimacy of the movie on their integrity alone. Chan reprises his Drunken Master days as an immortal monk with a wine elixor, Li’s magnetism as the Silent Monk is a nod to the genre films that made him famous. And when the two battle it out on screen midway through the movie, it is pure joy. Choreographed by Woo Ping, it was incredibly satisfying to finally see what Chan’s drunken boxing would look like against Li’s speed and precision.
This brings me back to the film’s lead. What the hell was he doing there? Against Li and Chan’s presence, this kid almost disappeared – I had absolutely no emotional connection to his character; thus the weight of the film’s climax did not seem as significant as it should have been. In fact, I could almost argue that the film could have succeeded entirely without the kid being there in the first place, which makes sense, considering much of the appeal of the movie (at least for me, anyway) was stemming from the performances of Chan and Li .
What I did appreciate was the fact that the film at least made nods to the great kung fu films and martial artists that came before it. One of my favorite nods is where the Kid is asking Chan and Li about Bruce Lee during his training. The look on Chan and Li’s faces is priceless. Given that many stars of the martial arts genre owe their popularity to Bruce Lee’s contribution to Hong Kong cinema after his passing (especially Chan – who incidentally had an onscreen death at the hands of Lee in Enter the Dragon), it was definitely a great moment if one were aware of the historical context.
With that said, despite its flaws, The Forbidden Kingdom delivers where it was meant to. It’s not an amazing film, but it’s certainly a whole lot of fun. Definitely worth a gander, methinks.
- Lester Calleja
Lemon Meringue Productions